{"product_id":"project-two-a-genesis-rhapsody-marco-lo-muscio-steve-hackett-john-hackett-vinyl","title":"PROJECT TWO - A GENESIS RHAPSODY | Marco Lo Muscio, Steve Hackett, John Hackett (Vinyl)","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003ePROJECT TWO - A GENESIS RHAPSODY\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003e\u003cspan\u003eMarco Lo Muscio,\u003ci\u003e \u003c\/i\u003eSteve Hackett, John Hackett\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cb\u003eSupporti disponibili: \u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli lang=\"en-US\" class=\"western\"\u003e\n\u003cspan\u003e\u003cb\u003eCVLD387C - \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003eDMM-\u003cspan\u003eONE STEP \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003eVINYL\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003cb\u003eCVLD387A - CLASSIC VINYL \u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003eA SIDE \u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cu\u003e19:55\u003c\/u\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eEntangled\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e4:47\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eS.Hackett, T.Banks\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003ePreludio in G Major BWV1007\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e2:27\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eJ.S.Bach \u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eHorizons\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e3:32\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eS.Hackett\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eMeditations On Horizons\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e4:10\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eM.Lo Muscio\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eAfter The Ordeal\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e4:59\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eS.Hackett, \u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003ewith Steve Hackett, guitar and John Hackett, flute\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003eB SIDE \u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cu\u003e21:03\u003c\/u\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eWatcher Of The Skies\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e2:27\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eP.Collins, T.Banks, S.Hackett, M.Rutherford, P.Gabriel\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003ePreludio on Firth Of Fifth\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e1:13\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eM.Lo Muscio\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eFirth Of Fifth\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e4:15\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eP.Collins, T.Banks, S.Hackett, M.Rutherford, P.Gabriel\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eHairless Hearth\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e3:40\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eP.Collins, T.Banks, S.Hackett, M.Rutherford, P.Gabriel\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003ewith Steve Hackett, guitar and John Hackett, flute\u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eThe Cinema Show\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e9:28\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eP.Collins, T.Banks, S.Hackett, M.Rutherford, P.Gabriel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003eDirect Metal Mastering (DMM\u003cspan\u003eONE STEP\u003c\/span\u003e)\u003c\/h1\u003e\n\u003cp align=\"left\"\u003eIl \u003cb\u003eDirect Metal Mastering\u003c\/b\u003e (DMM\u003cspan\u003e-ONE STEP\u003c\/span\u003e) è una tecnica di masterizzazione audio analogica dei dischi in vinile sviluppata da due aziende tedesche: la Telefunken-Decca (Teldec) e la Georg Neumann GmbH, verso la fine del XX secolo.\u003cbr\u003eA differenza dei tradizionali processi di masterizzazione dei dischi, in cui il suono viene inciso meccanicamente su un disco di acetato, utilizzando tipicamente 5 passaggi di pre mastering (lacca vinilica \u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003c\/span\u003e Padre\/negativo \u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003c\/span\u003e Madre\/positivo \u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003c\/span\u003e Stamper galvanico\/negativo \u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003c\/span\u003e vinile finale), con il processo DMM l'audio viene inciso direttamente nel metallo (rame) utilizzando un sistema portante ad alta frequenza e delle particolari puntine in diamante, vibranti a più di 40kHz, per facilitare l'incisione (Padre\/positivo \u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003c\/span\u003e Stamper galvanico\/negativo \u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003c\/span\u003e Vinile finale) \u003cbr\u003eCiò consente un miglioramento della precisione nei solchi prodotti, con un conseguente miglioramento della resa sonora (in particolare con una riduzione del rumore di fondo e maggiore risposta alle alte frequenze).\u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cb\u003eLe differenze tra PET e PVC. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003eIl PET, o polietilene tereftalato, sta sempre più sostituendo il PVC, o cloruro di polivinile, anche negli usi comuni delle plastiche nella vita quotidiana, per una serie di vantaggi, fra cui la possibilità di riciclo perfetto e integrale al 100%, utile soprattutto negli utilizzi come materiale di imballaggio. \u003cbr\u003eMa Vediamo le principali differenze e considerazioni di queste due materie plastiche:\u003c\/p\u003e\n\u003cp align=\"left\"\u003eIl PET è più costoso del PVC ma risulta decisamente più interessante nell’uso audio, considerando le sue qualità:\u003c\/p\u003e\n\u003cp align=\"left\"\u003e- Il PET è resistente alla abrasione e alla elettricità statica\u003c\/p\u003e\n\u003cp align=\"left\"\u003e- Il PET è resistente alla temperatura e quindi molto meno sensibile a problemi di deformazione, e quindi è anche più stabile nel tempo\u003c\/p\u003e\n\u003cp align=\"left\"\u003e- Il PET è molto meno tossico del normale PVC\u003c\/p\u003e\n\u003cp align=\"left\"\u003e \u003cb\u003eVantaggi effettivi dell’utilizzo del PET nella stampa dei vinili audio\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli align=\"left\"\u003eCentraggio perfetto (eccentricità) verticale e orizzontale, garantisce wow \u0026amp; flutter significativamente ridotti durante la riproduzione.\u003c\/li\u003e\n\u003cli align=\"left\"\u003eLa superficie scanalata risulta ultra liscia, da cui un rumore di fondo molto basso, che garantisce maggiore dinamica effettiva, con risposta ai transienti molto migliore.\u003c\/li\u003e\n\u003cli align=\"left\"\u003eCome abbiamo visto il PET garantisce minore deformazione della scanalatura durante il contatto con lo stilo, da che ne deriva maggiore durata nel tempo, e maggiore estensione e stabilità delle alte frequenze.\u003c\/li\u003e\n\u003cli align=\"left\"\u003eL’insensibilità alla elettricità statica, fa sì che sia molto meno sensibile all’accumulo di polvere ed a estemporanei rumori impulsivi (tic-toc)\u003c\/li\u003e\n\u003cli align=\"left\"\u003eLo stampaggio a iniezione, poi, è molto più preciso e quindi provoca una minore distorsione delle scanalature, da cui un’immagine stereofonica più stabile, ampia e profonda migliorate e profondità spaziale.\u003c\/li\u003e\n\u003cli align=\"left\"\u003eSempre in virtù delle caratteristiche del PET e nel nostro caso dello stampaggio a iniezione, consente un utilizzo di due passaggi di mastering in meno (One Step), garantendo così una stabilità e uniformità di resa dalla prima all’ultima copia stampata: iniezione su \u003cb\u003ePadre (positivo) \u003c\/b\u003e\u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e Stamper (negativo) \u003c\/b\u003e\u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e Vinile finale\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003eAll arrangements by Marco Lo Muscio, except for THE CINEMA SHOW, by David Myers, Eric Johnsen and Marco Lo Muscio\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eMarco Lo Muscio\u003c\/strong\u003e, \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003egrandpiano\u003c\/i\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003e\u003cstrong\u003eJohn Hackett\u003c\/strong\u003e, \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003eflute\u003c\/i\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e and \u003cstrong\u003eSteve Hackett\u003c\/strong\u003e, \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003eacoustic and electric guitar\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e88.2kHz\/24bit original live-in-studio recording made at Magister Recording Area, Preganziol (Italy), \u003cbr\u003eon December 2024. Analog mix and mastering made at VLS Studio, Naquera (Spain), on January 2025\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eProduction: \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eMARCO LINCETTO for VELUT LUNA\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eMusical producer: \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eMarco Lo Muscio and Marco Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eRecording, mix and mastering engineer: \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eDesign and layout: \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eL’Image\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eInside photos: \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eMarco lo Muscio\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003e\"Project Two\"\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e: il seguito ideale a “Project One”. \u003c\/span\u003eNel primo album avevamo quasi un concerto live registratato in chiesa e dedicato alla musica contemporanea e Prog in generale. In “Project Two” abbiamo invece un vero e proprio \u003ci\u003econcept\u003c\/i\u003e dedicato al mondo dei Genesis: “A Genesis Rhapsody”.\u003c\/p\u003e\n\u003cp\u003eIl progetto discografico \u003ci\u003eVelut Luna \u003c\/i\u003equesta volta è stato realizzato totalmente in studio e si avvale dello splendido Steynway \u0026amp; Sons D274 Concert Grand residente nello studio Magister Recording Area di Preganziol. In due brani John e Steve Hackett tornano a collaborare da protagonisti con il M° Lo Muscio.\u003c\/p\u003e\n\u003cp\u003eIl focus del disco consiste nella reinterpretazione in stile classico ed interamente acustico del mondo dei Genesis.\u003c\/p\u003e\n\u003cp\u003eIl disco si apre con \u003ci\u003eEntangled\u003c\/i\u003e una gemma dei Genesis post Gabriel e poi si prosegue con tre brani legati fra di loro da un sottile filo: il Preludio dalla Suite per violoncello di Bach (arrangiato per piano dal M° Lo Muscio) che sarà la base di Horizons; a seguire le \u003ci\u003eMeditations on Horizons\u003c\/i\u003e una composizione di Lo Muscio stesso che si basa su Horizons inserita però nel ritmo dell'Habanera spagnola molto amata da Hackett (Bay o Kings ad esempio) e finalmente la versione pianistica di Horizons. La prima parte si conclude con \u003ci\u003eAfter the Ordeal\u003c\/i\u003e in trio con i fratelli Hackett!\u003c\/p\u003e\n\u003cp\u003eIl lato B si apre con l'introduzione e la coda di \u003ci\u003eWatcher of the Skyes; \u003c\/i\u003esi prosegue con un Preludio fugato di Lo Muscio basato sulla parte melodica di \u003ci\u003eFirth of Fifth\u003c\/i\u003e che fa da introduzione vera e propria al capolavoro classico dei Genesis. Si prosegue con la versione in trio con i fratelli Hackett di \u003ci\u003eHairless Heart\u003c\/i\u003e per finire in maniera grandiosa con quel capolavoro sontuoso e raffinato di \u003ci\u003eCinema Show\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eInfine la grande qualità delle registrazioni \u003ci\u003eVelut Luna \u003c\/i\u003eoffriranno un'incredibile tavolozza sonora nell'ascolto di tutte le sfumature del grande pianoforte Steinway, ripreso con una nuovissima tecnica microfonica elaborata da Marco Lincetto che garantisce un suono del pianoforte realmente “sinfonico”: pieno, dettagliato, imperiale!\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003e---\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003e\"Project Two\": the ideal follow-up to \"Project One\". In the first album we had almost a live concert recorded in church and dedicated to contemporary music and Prog in general. In this \"Project Two\" we have a real concept dedicated to the world of Genesis: \"A Genesis Rhapsody\".\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003eThe Velut Luna recording project this time has been realized entirely in the studio and makes use of the splendid Steynway \u0026amp; Sons D274 Concert Grand resident in the Magister Recording Area of Preganziol. In two tracks \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eJohn and Steve Hackett\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003e return to collaborate as protagonists with \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eM° Lo Muscio\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003e. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003eThe focus of the album is on the classical and entirely acoustic reinterpretation of the world of Genesis. \u003cbr\u003eThe disc opens with Entangled a gem of Genesis post Gabriel and then continues with three pieces linked together by a thin thread: the Prelude from Bach’s Cello Suite (arranged for piano by M° Lo Muscio) that will be the basis of Horizons; to follow the Meditations on Horizons a composition by Lo Muscio itself that is based on Horizons but inserted in the rhythm of the Spanish Habanera much loved by Hackett (Bay or Kings for example) and finally the piano version of Horizons. The first part ends with After the Ordeal in trio with the Hackett brothers! \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003eThe B-side opens with the introduction and the tail of Watcher of the Skyes; it continues with a fuged Prelude by Lo Muscio based on the melodic part of Firth of Fifth that is the real introduction to the classic masterpiece of Genesis. We continue with the trio version with the Hackett brothers of Hairless Heart to finish in a grand way with that sumptuous and refined masterpiece of Cinema Show.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003eFinally, the great quality of the Velut Luna recordings will offer an incredible sound palette in listening to all the nuances of the grand piano Steinway, recorded with a brand new microphone technique elaborated by Marco Lincetto that guarantees a real piano \"symphonic sound\": full, detailed, imperial!\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"LP 33 DMM (crystal)","offer_id":52899350937867,"sku":"CVLD387C","price":59.0,"currency_code":"EUR","in_stock":true},{"title":"LP 33 rpm (black)","offer_id":52899392061707,"sku":"CVLD387A","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0647\/4294\/9131\/files\/CVLD387-COVERPETDMM.jpg?v=1771022814","url":"https:\/\/www.jellyblackcircle.com\/ja\/products\/project-two-a-genesis-rhapsody-marco-lo-muscio-steve-hackett-john-hackett-vinyl","provider":"JELLY BLACK CIRCLE","version":"1.0","type":"link"}