{"title":"VINILI","description":"","products":[{"product_id":"miles-davis-quintet-complete-cafe-bohemia-bandstand-u-s-a-1956-58-radio-broadcasts-volume-1","title":"Miles Davis Quintet • Complete Café Bohemia Bandstand U.S.A. 1956-58 Radio Broadcasts • Volume 1","description":"\u003ch2\u003e\n\u003cstrong\u003eMiles Davis Quintet • Complete Café Bohemia Bandstand U.S.A. 1956-58 Radio Broadcasts • Volume 1 \u003c\/strong\u003e(GBR00124) - \u003cspan style=\"text-decoration: underline;\"\u003e2ª Ristampa\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003ch3\u003eLP AUDIOPHILE PRESSING\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eAvete tra le mani il primo dei tre volumi dedicati alle registrazioni effettuate da Miles Davis, tra il 1956 e il 1958 al Café Bohemia, situato al 15 di Barrow Street, nel Greenwich Village, a New York.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIl ristorante (che recava un evidente errore di ortografia nell’insegna – Restraurnt) era gestito dall’italo-americano Jimmy Garofalo e fu inaugurato nel 1955. In breve tempo il Café Bohemia divenne una sorta di Mecca per i modernisti del jazz, e diversi album furono registrati da alcuni degli artisti più interessanti del tempo (Art Blakey, Charles Mingus, Kenny Dorham, George Wallington). Inoltre, Oscar Pettiford, (che nei primi tempi ricopriva l’incarico di direttore artistico del Jazz Club) vi dedicò anche una composizione, intitolandola «Bohemia After Dark».\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIl Café Bohemia era inoltre una delle sedi da cui si trasmetteva il programma\u003c\/em\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eBandstand U.S.A. sulle onde del Mutual Network Radio Broadcasts. Ogni settimana il presentatore Guy Wallace, spesso accompagnato da ospiti, registrava e trasmetteva alcuni incredibili live direttamente dal Bohemia. Miles Davis fece parte di queste trasmissioni per ben otto volte, tra il 15 settembre 1956 e il 17 maggio 1958.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eQui troverete, per la prima volta nella storia, l’integrale delle registrazioni di Miles (circa 120 minuti), a suo tempo trasmesse dal Mutual Network.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eParte di questo materiale è stato pubblicato nel corso degli anni su dischi non ufficiali, ma la maggior parte compare per la prima volta su vinile se non addirittura è di fatto completamente inedito. In tutti i casi, il materiale viene qui pubblicato con la migliore qualità sonora possibile e con velocità corretta (la maggior parte delle versioni precedenti giravano alla velocità sbagliata, ovvero stonate rispetto alla tonalità originale d’esecuzione).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSu tratta di una vera macchina che viaggia nel tempo e nello spazio, in quanto abbiamo cercato di riprodurre il suono di quell’epoca nel modo più fedele possibile. Per migliorare e rispettare filologicamente quel mondo del suon\u003c\/em\u003e\u003cem\u003eo, abbiamo deciso di pubblicare anche tutti gli annunci (di Guy Wallace e dei suoi ospiti) nella loro versione completa.\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003eAlcuni aspetti molto interessanti e imprevisti emergono da questi annunci, che aiuteranno l’ascoltatore a vivere al meglio quell’epoca, sia da un punto di vista sociale sia storico.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eQuindi, accendete la radio e immergetevi nell’atmosfera della seconda metà degli anni ’50 con la musica precedentemente inedita del Miles Davis Quintet al suo meglio.\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eMiles Davis (tp); John Coltrane (ts); Red Garland (p); Paul Chambers (b); Philly Joe Jones (d)\u003cbr\u003eGuy Wallace (Radio Broadcast announcer)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003e\u003cstrong\u003eTrack List:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAnnouncement by Guy Wallace 2:01\u003c\/li\u003e\n\u003cli\u003eWell You Needn’t 5:48\u003c\/li\u003e\n\u003cli\u003eIt Never Entered My Mind 5:02\u003c\/li\u003e\n\u003cli\u003eA Gal in Calico 4:43\u003c\/li\u003e\n\u003cli\u003eStablemates 3:48\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Am I to Know? 3:03\u003c\/li\u003e\n\u003cli\u003eThe Theme 1:34\u003c\/li\u003e\n\u003cli\u003eWoody’n You 3:58\u003c\/li\u003e\n\u003cli\u003eWalkin’ [Gravy] 7:10\u003c\/li\u003e\n\u003cli\u003eAll of You 2:25\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eUnfortunately, the sole surviving (obviously) mono tape transcriptions of these recordings were not always in good shape, but we improved the quality with state-of-the-art equipment and remastering tools.\u003cbr\u003eTo present the complete performances we have used the best available sources, considering that the material was recorded through a period of three years by different technical crews and completely different miking techniques and positioning. This resulted in a slight change in audio quality. This is the best and most complete collection of the legendary Café Bohemia recordings aired by the Mutual Network for Bandstand U.S.A. Radio Broadcast.\u003c\/p\u003e\n\u003cp\u003eThanks to Piergiorgio Cupellini, Elisa Gabrielli, Paola Giordano, Igor Ebuli Poletti, and Fabio Sala. Special thanks to Bob Belden, Jan Lohmann, Peter Losin, and Teo Macero.\u003c\/p\u003e\n\u003cp\u003eSpeed corrected and remastered by Enrico Merlin\u003cbr\u003eExecutive producer, Massimo Corvino for Groove Back Records\u003cbr\u003eLiner notes by Enrico Merlin, with special help from Giovanni Principe and Ginger Minneman\u003cbr\u003eCover picture by Marvin Koner, shot between May 25 and June 10, 1956, outside the Café Bohemia\u003cbr\u003eArtwork concept and album design by Roberto Mares\u003c\/p\u003e\n\u003cp\u003eComplete recordings with radio speaker announcements and voiceovers included.\u003c\/p\u003e\n\u003cp\u003eNel n. 1 di GRooVE back Magazine trovate il racconto e la genesi di questo disco (disponibile gratuitamente la versione digitale della rivista su questo sito nella sezione magazine)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecensioni: \u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0575\/1016\/6580\/files\/articolo_andrea_bin_su_Miles_Davis_vol.1.pdf?v=1747243073\" title=\"Recensione AudioReview Aprile25\" rel=\"noopener\" target=\"_blank\"\u003eAudioReview\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"GRooVE back records","offers":[{"title":"LP 33 rpm","offer_id":52895195988235,"sku":"GBR00124","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0647\/4294\/9131\/files\/MilesDavis5thCafeBohemiaLP.png?v=1770833286"},{"product_id":"il-cantante-al-microfono-eugenio-finardi","title":"Il Cantante al Microfono - Eugenio Finardi","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eIl Cantante al Microfono - Eugenio Finardi \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e(\u003cspan\u003eCVLD162\u003c\/span\u003e) CD e HD - VERSIONE ORIGINALE 2007\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e(CVLD386) LP e HD - VERSIONE RIMASTERIZZATA 2024\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003e\u003ciframe border=\"0\" height=\"370\" src=\"https:\/\/velutluna.lnk.to\/Il-Cantante-Al-Microfono\" width=\"100%\" style=\"border-radius: 20px; border-color: white;\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e01 - L'orizzonte\u003cbr\u003e02 - Dal fronte non è più tornato\u003cbr\u003e03 - Ginnastica mattutina\u003cbr\u003e04 - Il volo interrotto\u003cbr\u003e05 - La caccia ai lupi\u003cbr\u003e06 - Il canto della terra\u003cbr\u003e07 - Il cantante al microfono\u003cbr\u003e08 - Cavalli bradi\u003cbr\u003e09 - Il pugile sentimentale\u003cbr\u003e10 - Il bagno alla bianca\u003cbr\u003e11 - Variazioni su temi tzigani\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIl progetto discografico Il Cantante Al Microfono getta un ponte tra la canzone d'autore e la musica classica contemporanea partendo dal grande attore, poeta e cantautore russo Vysotsky, tragicamente scomparso nel 1980, che capì e cantò l'anima vera del suo popolo e perciò fu duramente osteggiato dal regime sovietico. La sua musica accompagna con intriganti melodie, ora dal sapore balcanico, ora dai toni orientaleggianti, ora ricalcando antichi tempi di valzer, i testi acutissimi e graffianti. Dal corpus delle sue oltre 500 canzoni Eugenio Finardi e Filippo Del Corno hanno scelto una decina di titoli fortemente rappresentativi della tensione etica, spirituale, politica e dell'ironia corrosiva che anima il lavoro di Vysotsky. Le canzoni, già tradotte in italiano da Sergio Secondiano Sacchi, sono state orchestrate per l'ensemble strumentale Sentieri Selvaggi dallo stesso Del Corno, in una versione che mette in luce l'altissima qualità poetica e musicale dei versi di Vysotsky e permette il pieno dispiegamento della straordinaria potenza interpretativa di Eugenio Finardi.\u003cbr\u003eE' infatti diverso tempo che Finardi affianca alla sua attività di protagonista del rock d'autore italiano un approfondito e rigoroso lavoro di ricerca vocale, che lascerà stupiti chi non conosce il percorso che l'ha portato dal fado, al suo amato blues, fino alla classica contemporanea. Raffinatissima la grafica curata dallo Studio Convertino. Un progetto insomma che si sposa in modo perfetto con la linea produttiva che da sempre Velut Luna propone: originalità in proposte artisticamente e tecnicamente della massima qualità.\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan size=\"2\"\u003e\u003cb\u003eEugenio Finardi \u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003evoce \u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan size=\"2\"\u003e\u003cb\u003eSentieri selvaggi\u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003e : \u003c\/span\u003e\u003cspan size=\"2\"\u003e\u003cb\u003ePaola Fre \u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003eflauto \u003c\/span\u003e\u003cspan size=\"2\"\u003e\u003cb\u003eMirco Ghirardini \u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003eclarinetto \u003c\/span\u003e\u003cspan size=\"2\"\u003e\u003cb\u003ePaolo Pasqualin \u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003evibrafono \u003c\/span\u003e\u003cspan size=\"2\"\u003e\u003cb\u003eAndrea Rebaudengo \u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003epianoforte \u003c\/span\u003e\u003cspan size=\"2\"\u003e\u003cb\u003ePiercarlo Sacco \u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003eviolino \u003c\/span\u003e\u003cspan size=\"2\"\u003e\u003cb\u003ePaola Perardi \u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003evioloncello\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan size=\"2\"\u003e\u003cb\u003eCarlo Boccadoro\u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003e direzione\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan size=\"2\"\u003e\u003cb\u003eSergio Secondiano Sacchi\u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003e traduzione italiana\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan size=\"2\"\u003e\u003cb\u003eFilippo Del Corno\u003c\/b\u003e\u003c\/span\u003e\u003cspan size=\"2\"\u003e orchestrazione\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan size=\"2\"\u003eL'opera ha vinto la Targa Tenco 2008, nella Sezione interpreti di canzoni non proprie\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003ci\u003eLive-In-Studio Analog Recording, mix and original mastering made at Magister Recording Area studio, Preganziol, Italy on December, 18 - 22, 2007\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eAnalog re-mastering made at VLS Studio, Naquera, Spain, on November, 4, 2024\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eANALOG RECORDING\u003c\/u\u003e: \u003cb\u003eRTR Soundcraft Saturn 24 tracks \/ 2\" tape at 76cm\/sec recording speed\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eANALOG MIX \u0026amp; MASTERING\u003c\/u\u003e: \u003cb\u003eRTR Studer A820, 2 tracks, using 1\/4\" tape at 38 cm\/sec recording speed\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eANALOG RE-MASTERING\u003c\/u\u003e: \u003cb\u003eMaselec Analog Mastering Suite (MLA-2 \/ MEA-2 \/ MPL-2) to RTR Studer A810\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Velut Luna","offers":[{"title":"DOPPIO LP 45 RPM","offer_id":52895196021003,"sku":"CVLD386LP","price":69.0,"currency_code":"EUR","in_stock":true},{"title":"CD (2007)","offer_id":52895196053771,"sku":"CVLD162CD","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0647\/4294\/9131\/files\/VELUT_LUNA_CVLD386_-_cover.jpg?v=1770833287"},{"product_id":"miles-davis-miles-davis-in-berlin","title":"MILES DAVIS - Miles Davis In Berlin","description":"\u003ch2\u003e\n\u003cstrong\u003eMILES DAVIS - Miles Davis In Berlin \u003c\/strong\u003e(\u003cb\u003eSPC62976\u003c\/b\u003e)\u003c\/h2\u003e\n\u003ch2\u003e\n\u003cspan\u003eSpeakers Corner - \u003c\/span\u003eLP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"title_and_interpreter\"\u003e\u003cstrong\u003e\"Miles In Berlin\" - Miles Davis (tp); Wayne Shorter (ts); Herbie Hancock (p); Ron Carter (b); Tony Williams (dr)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eÈ il 1964 e il primo Festival Jazz di Berlino sta per raggiungere il suo apice assoluto: il concerto finale, la sera di venerdì 25 settembre, di Miles Davis. E la filiale europea della Columbia Records, la CBS, non vedeva l'ora di pubblicare questo evento leggendario su LP.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIl nuovo quintetto, per la prima volta con Wayne Shorter al sax tenore (e non ancora come compositore), entusiasmò e trascinò il pubblico della Philharmonie dal primo minuto fino alla fine. I classici \"Miles(tones)\", \"So What\" e \"Walkin'\" furono eseguiti a un ritmo sorprendentemente veloce, le ballate erano tenere e sognanti. Un'atmosfera così magica fu raramente evocata nei concerti successivi, probabilmente grazie all'eccellente acustica della grande sala da concerto. Il pubblico era seduto dietro il palco, quindi Miles non poteva voltare le spalle in modo provocatorio; a volte si limitava ad accovacciarsi sul palco. Tuttavia, questo non gli ha impedito di eseguire i suoi assoli con liricità e tenerezza, la maggior parte dei quali finemente sfumati, morbidi e delicati, eppure udibili fino all'angolo più remoto. La struttura ritmica creata dal giovane batterista Anthony Williams ha fornito l'eccitazione necessaria.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMiles al top della forma, un pubblico entusiasta, un'acustica impressionante e, per finire, un'eccellente tecnologia di registrazione e una fantastica stampa su vinile vergine: cosa può desiderare di più un appassionato di jazz? Ora è il momento di tirare fuori la carta di credito!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eQuesto LP di Speakers Corner è stato rimasterizzato utilizzando esclusivamente componenti analogici, dai master fino alla testina di taglio (\u003ca href=\"https:\/\/pure-analogue.com\/\" rel=\"noopener\" target=\"_blank\"\u003ehttps:\/\/pure-analogue.com\u003c\/a\u003e)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"production_info\"\u003e\u003cspan\u003eRegistrazione: settembre 1964 dal vivo alla Philharmonic Hall di Berlino, da SFB Radio in mono\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduzione: Rudy Wolpert\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eColumbia 62976\u003c\/li\u003e\n\u003cli\u003eFormat: 1LP 180g 33rpm \/ standard sleeve\u003c\/li\u003e\n\u003cli\u003eOriginal label: Columbia\u003c\/li\u003e\n\u003cli\u003eBarcode: 4260019715418\u003c\/li\u003e\n\u003cli\u003eRelease Date: 2017-09-21\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"Speakers Corner","offers":[{"title":"LP 33 rpm","offer_id":52895196348683,"sku":"SPC62976","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0647\/4294\/9131\/files\/71REKUYAi4L._AC_SL1200.jpg?v=1770833290"},{"product_id":"miles-davis-quintet-round-about-midnight","title":"MILES DAVIS QUINTET - Round About Midnight","description":"\u003ch2\u003e\n\u003cstrong\u003eMILES DAVIS QUINTET - Round About Midnight \u003c\/strong\u003e(\u003cb\u003eSPC949\u003c\/b\u003e)\u003c\/h2\u003e\n\u003ch2\u003e\n\u003cspan\u003eSpeakers Corner - \u003c\/span\u003eLP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"title_and_interpreter\"\u003e\u003cstrong\u003e\"'Round About Midnight\" - Miles Davis (tr); John Coltrane (ts); Red Garland (p); Paul Chambers (b); Philly Joe Jones (dr)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFinalmente queste prime registrazioni, che Miles Davis realizzò per l'etichetta Columbia nel 1955 e nel 1956, sono di nuovo disponibili su LP. E, cosa ancora più importante, furono realizzate senza riprese alternative o secondi tentativi, come è consuetudine oggigiorno.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePotete rilassarvi e godervi i sei brani nell'ordine che il produttore, probabilmente in collaborazione con Davis, ha deciso. Certo, tutti i titoli sono ben noti e sono stati eseguiti migliaia di volte in molte versioni diverse. Ma ciò che questo Quintetto (e qui ci si riferisce a ogni singolo musicista!) produce in termini di inventiva, improvvisazioni emozionanti e maestria è assolutamente di prim'ordine. Il suono privo di vibrato di Davis è ripreso in modo impeccabile da John Coltrane – meravigliosamente dimostrato nel mezzo di \"Bye, Bye Blackbird\", mentre il pezzo forte di Paul Chambers è \"Ack Värmeland du sköna\" (alias \"Dear Old Stockholm\"). Negli anni 1955\/56, il bebop era sulla bocca di tutti, come testimoniano i classici \"Tadd's Delight\" di Tadd Dameron e \"Ah-Leu-Cha\" di Charlie Parker. Qui, tuttavia, le venature melodiche improvvisate sono più moderate, aprendo la strada a quello stile che in seguito sarebbe diventato noto come jazz modale.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSebbene \"'Round About Midnight\" come album non goda della reputazione di \"Kind Of Blue\", questa registrazione della Columbia contiene molte gemme che vale la pena ascoltare.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eQuesto LP di Speakers Corner è stato rimasterizzato utilizzando esclusivamente componenti analogici, dai master fino alla testina di taglio (\u003ca rel=\"noopener\" href=\"https:\/\/pure-analogue.com\/\" target=\"_blank\"\u003ehttps:\/\/pure-analogue.com\u003c\/a\u003e)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"production_info\"\u003e\u003cspan\u003eRegistrazione: ottobre 1955, giugno e settembre 1956 presso il 30th Street Studio della Columbia, New York in mono\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduzione: George Avakian\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan class=\"catalog_number\"\u003eColumbia CL 949\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eFormat:\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"contentAndConfiguration\"\u003e1LP 180g 33rpm \/ standard sleeve\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eOriginal label:\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"label\"\u003eColumbia\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eBarcode:\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"barcode\"\u003e4260019713353\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eRelease Date:\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"release-date\"\u003e2008-07-22\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"Speakers Corner","offers":[{"title":"LP 33 rpm","offer_id":52895196414219,"sku":"SPC949","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0647\/4294\/9131\/files\/81Na6ZqVckL._AC_SL1500.jpg?v=1770833292"},{"product_id":"miles-davis-quintet-miles-smiles","title":"MILES DAVIS QUINTET - Miles Smiles","description":"\u003ch2\u003e\n\u003cstrong\u003eMILES DAVIS QUINTET - Miles Smiles \u003c\/strong\u003e(\u003cb\u003eSPC9401\u003c\/b\u003e)\u003c\/h2\u003e\n\u003ch2\u003e\n\u003cspan\u003eSpeakers Corner - \u003c\/span\u003eLP AUDIOPHILE PRESSING \u003cspan class=\"contentAndConfiguration\"\u003e180g\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"title_and_interpreter\"\u003e\u003cstrong\u003e\"\u003c\/strong\u003e\u003cstrong\u003eMiles Smiles\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\" \u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003eMiles Davis (tr); Wayne Shorter (ts); Herbie Hancock (p); Ron Carter (b); Tony Williams (dr)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA parte la registrazione di un'esibizione dal vivo al Portland Festival, la discografia di Miles Davis del 1966 elenca solo le registrazioni realizzate per l'LP \"Miles Smiles\"! Che strano, se si considera la consueta ampia produzione di Miles e dei suoi ensemble per la Columbia Records negli anni Sessanta.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIl bassista Ron Carter era il più adatto per la complessa parte ritmica e rimase il \"numero uno\" di Miles in un quintetto che reinterpretò composizioni di Wayne Shorter e successi jazz come \"Freedom Jazz Dance\" di Eddie Harris e \"Gingerbread Boy\" di Jimmy Heath.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOgni secondo dei nove minuti di \"Footprints\" di Shorter è un momento culminante assoluto, mentre la batteria del giovane Tony Williams in \"Freedom Jazz Dance\" è piena di vitalità, con un ritmo serrato, e persino descritta come \"minacciosa\" nelle note di copertina. Questa musica non è né \"nuova corrente\" né \"vecchia guardia\", ma buon jazz moderno, secondo Anthony Tuttle. Questo era esattamente ciò che \"Miles Smiles\" rappresentava al momento della sua uscita 40 anni fa, e lo è ancora oggi! E che Miles Davis abbia sorriso per una volta grazie alla splendida intesa musicale tra i cinque musicisti non è certo una mera diceria.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eQuesto LP di Speakers Corner è stato rimasterizzato utilizzando esclusivamente componenti analogici, dai master fino alla testina di taglio (\u003ca rel=\"noopener\" href=\"https:\/\/pure-analogue.com\/\" target=\"_blank\"\u003ehttps:\/\/pure-analogue.com\u003c\/a\u003e)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"production_info\"\u003e\u003cspan\u003eRegistrazione: Ottobre 1966 presso Columbia RecordsStudios, New York, da Frank Laico\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduzione: Teo Macero\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eColumbia CS 9401\u003c\/li\u003e\n\u003cli\u003eFormato: 1LP 180g 33 giri \/ custodia standard\u003c\/li\u003e\n\u003cli\u003eEtichetta originale: Columbia\u003c\/li\u003e\n\u003cli\u003eCodice a barre: 4260019713292\u003c\/li\u003e\n\u003cli\u003eData di rilascio: 2008-03-11\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"Speakers Corner","offers":[{"title":"LP 33 rpm","offer_id":52895197200651,"sku":"SPC9401","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0647\/4294\/9131\/files\/miles-smiles-459-900x900.jpg?v=1772731229"},{"product_id":"project-one-marco-lo-muscio-david-jackson","title":"PROJECT ONE - Marco Lo Muscio David Jackson","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eROJECT ONE\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cb\u003eMarco Lo Muscio\u003c\/b\u003e,\u003ci\u003e \u003c\/i\u003e\u003cb\u003eDavid Jackson, John Hackett,\u003ci\u003e \u003c\/i\u003eSteve Hackett\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cb\u003eSupporti: \u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cb\u003eCVLD362A - VINYL\u003c\/b\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cb\u003eCVLD362B - CD\u003c\/b\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cb\u003eCVLD362   - FILE HD\u003c\/b\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e01. \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eTheme One\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eGeorge Martin 3:13\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e02. \u003c\/span\u003e\u003cb\u003eVocalise n.3\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eMarco Lo Muscio 3:07\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e03. \u003c\/span\u003e\u003cb\u003eHammer in the Sand\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eSteve Hackett 3:07\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e04. \u003c\/span\u003e\u003cb\u003eHairless Heart\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003ePhil Collins, Steve Hackett, Tony Banks, Mike Rutherford, Peter Gabriel 3:47\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e05. \u003c\/span\u003e\u003cb\u003eCorpus Christi Carol\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eBenjamin Britten 3:08\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e06. \u003c\/span\u003e\u003cb\u003eHills Of The North Rejoice\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eMartin Shaw 2:30\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e07. \u003c\/span\u003e\u003cb\u003eMolde Canticle Part I\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eJan Garbarek 4:40\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e08. \u003c\/span\u003e\u003cb\u003eThe Great Gig In The Sky\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eRichard Wright, Clare Torry 6:15\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e09. \u003c\/span\u003e\u003cb\u003eRed Pedal Solo\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eMarco Lo Muscio 2:38\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e10. \u003c\/span\u003e\u003cb\u003eMoonchild\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eGreg Lake, Peter Sinfield 2:29\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e11. \u003c\/span\u003e\u003cb\u003ePrelude and Ostinato \"Homage to Keith Emerson\"\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eMarco Lo Muscio 5:20\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e12. \u003c\/span\u003e\u003cb\u003eMusica Ricercata n.7 (Ostinato)\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eGyörgy Ligeti 4:18\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e13. \u003c\/span\u003e\u003cb\u003eVocalise from \"The Ninth Gate\"\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eVojciech Kilar 3:29\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e14. \u003c\/span\u003e\u003cb\u003eVocalise n.1 \"To my mother\"\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eMarco Lo Muscio 3:00\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e15. \u003c\/span\u003e\u003cb\u003eIn Memoriam\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eMarco Lo Muscio 3:29\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e16. \u003c\/span\u003e\u003cb\u003ePilgrims\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003ePeter Hammil, David Jackson 5:44\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e17. \u003c\/span\u003e\u003cb\u003eThe Hermit \u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eSteve Hackett 5:41\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e18. \u003c\/span\u003e\u003cb\u003eFanfare for the Common Man\u003c\/b\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: xx-small;\" size=\"1\"\u003e\u003ci\u003eAaron Copland, Keith Emerson 8:01\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003e\u003cb\u003eTotal Time: 74:05\u003c\/b\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ciframe style=\"border-radius: 20px;\" width=\"100%\" src=\"https:\/\/velutluna.lnk.to\/ProjectOne\" height=\"370\" border=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eMarco Lo Muscio\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e,\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003e church organ and piano\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eDavid Jackson\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e,\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003e saxophones and flutes \u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003every special guests:\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eJohn Hackett\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e,\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003e flute on \"The Hermit\"\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eSteve Hackett\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e,\u003ci\u003e electric guitar on \"Hammer In The sand\"\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e24bit\/88.2kHz original recording made at San Gregorio VII Church, Rome, on July 24, 25, 26, 2023. \u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003eAnalog mix and mastering made at MLStudio, Naquera, Spain on August 5, 2023\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eProduction:\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e Marco Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eMusical production:\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e Marco Lo Muscio \u0026amp; David Jackson\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eRecording, mix and mastering engineer:\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e Marco Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eRecording assistant:\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e Marco Rosanova\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003eDesign \u0026amp; Layout:\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e L'Image\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003cb\u003e\"Project One\"\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e: un progetto discografico \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003eVelut Luna\u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e che nasce grazie all'amicizia ed alla lunga collaborazione musicale ed artistica del M° Marco Lo Muscio con tre nomi iconici della musica Progressive e contemporanea: David Jackson, John Hackett e Steve Hackett.\u003cbr\u003eIl progetto è un grande omaggio, con arrangiamenti totalmente acustici, ai vari stili della grande musica del '900 e contemporanea. L'impianto base vede il suono gotico e sinfonico dell'organo a canne amalgamato insieme alla potenza dei sassofoni di David Jackson. La chitarra di Steve Hackett ed il flauto di John Hackett aggiungono il tocco finale in alcuni speciali arrangiamenti nati appositamente per questo progetto discografico.\u003cbr\u003eI compositori scelti provengono dal mondo della musica del '900 e contemporanea (Benjamin Britten, György Ligeti, Aaron Copland, George Martin e Marco Lo Muscio), delle colonne sonore (Wojciech Kilar), del Jazz moderno (Jan Garbarek) e del Progressive (King Crimson, Genesis, Van Der Graaf Generator, Emerson Lake \u0026amp; Palmer, Pink Floyd, David Jackson e Steve Hackett). L'ascolto in chiave acustica di queste musiche farà scoprire nuove sfumature e dettagli; si potrà capire anche quanto la musica Progressive interpretata in questa chiave sia effettivamente molto vicina ed influenzata dalla musica classica del '900.\u003cbr\u003eInfine la risaputa grande qualità delle registrazioni \u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e\u003ci\u003eVelut Luna\u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\" size=\"2\"\u003e di Marco Lincetto offriranno un'incredibile gamma sonora nell'ascolto di questo originale ed unico progetto discografico!\u003c\/span\u003e\u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"LP 33 rpm","offer_id":52899350413579,"sku":"CVLD362A","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0647\/4294\/9131\/files\/folder_f89b9213-0ca3-454a-adce-b807d1d5eeaf.jpg?v=1771020131"},{"product_id":"se-potessi-avere-new-project-classical-orchestra","title":"SE POTESSI AVERE... - New Project Classical Orchestra","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003eSE POTESSI AVERE... - New Project Classical Orchestra \u003c\/b\u003e(CVLD374)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003eNEW REMASTERED FROM ORIGINAL ANALOG TAPE\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cem\u003eDisponibile in: File HD, \u003cspan\u003eLP 180gr. su Top Clear Vinyl + FILE HD\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e1 - \u003c\/span\u003e\u003cstrong\u003eMille lire al mese\u003c\/strong\u003e\u003cspan\u003e (Innocenzi, Sopranzi \/ arr. P.Trentini) 2:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLuca Merlini, voce\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2 - \u003c\/span\u003e\u003cstrong\u003eMa l'amore no\u003c\/strong\u003e\u003cspan\u003e (D'Anzi, Galdieri \/ arr. F.Castania) 2:29\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGiuliana Beberi, voce\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3 - \u003c\/span\u003e\u003cstrong\u003eParlami d'amore Mariù\u003c\/strong\u003e\u003cspan\u003e (Neri, Bixio \/ arr. P.Trentini) 3:39\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLuca Merlini, voce\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4 - \u003c\/span\u003e\u003cstrong\u003eMotivetto\u003c\/strong\u003e\u003cspan\u003e (Merlini, Caniato \/ arr. S.Caniato) 4:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGiuliana Beberi, voce\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5 - \u003c\/span\u003e\u003cstrong\u003eBa-ba baciami piccina\u003c\/strong\u003e\u003cspan\u003e (Morbelli, Astore \/ arr. S.Caniato) 3:20\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLuca Merlini, voce\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6 - \u003c\/span\u003e\u003cstrong\u003eAmore baciami\u003c\/strong\u003e\u003cspan\u003e (Rossi, Testoni \/ arr. F.Castania) 3:02\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGiuliana Beberi, voce\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7 - \u003c\/span\u003e\u003cstrong\u003eHo un sassolino nella scarpa\u003c\/strong\u003e\u003cspan\u003e (Valci, Fernando \/ arr. F.Castania) 3:15\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLuca Merlini, voce\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8 - \u003c\/span\u003e\u003cstrong\u003eNon dimenticar le mie parole\u003c\/strong\u003e\u003cspan\u003e (D'Anzi, Bracchi \/ arr. F.Castania) 3:04\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLuca Merlini, voce\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9 - \u003c\/span\u003e\u003cstrong\u003ePiccola radio\u003c\/strong\u003e\u003cspan\u003e (Merlini, Castania \/ arr. F.Castania) 2:56\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGiuliana Beberi, voce\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 - \u003c\/span\u003e\u003cstrong\u003eTi parlerò d'amor\u003c\/strong\u003e\u003cspan\u003e (Martinelli, Bracchi \/ arr. S.Caniato) 3:35\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGiuliana Beberi, voce\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 - \u003c\/span\u003e\u003cstrong\u003eLa strada nel bosco\u003c\/strong\u003e\u003cspan\u003e (Nisa, Bixio \/ arr. F.Castania) 3:50\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLuca Merlini, voce\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 - \u003c\/span\u003e\u003cstrong\u003eCanta ancora marinaio\u003c\/strong\u003e\u003cspan\u003e (Merlini, Trentini \/ arr. P.Trentini) 2:54\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGiuliana Beberi e Luca Merlini, voce\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cstrong\u003eTotal time\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e38:20\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNew Project Classical Orchestra\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAndrea Ferroni\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003eIvo Crepaldi\u003c\/strong\u003e\u003cspan\u003e, violin I\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eStefano Roveda\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003eSilvia Avitabile\u003c\/strong\u003e\u003cspan\u003e, violin II\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eLuigi Azzolina\u003c\/strong\u003e\u003cspan\u003e, viola\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eLorenzo Corbolini\u003c\/strong\u003e\u003cspan\u003e, cello\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eStefano Colpi\u003c\/strong\u003e\u003cspan\u003e, double bass\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eStefano Chesini\u003c\/strong\u003e\u003cspan\u003e, flute\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMarco Milelli\u003c\/strong\u003e\u003cspan\u003e, clarinet, alto and tenor sax\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eGiorgio Beberi\u003c\/strong\u003e\u003cspan\u003e, baritone sax, bass clarinet\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cstrong\u003e\"...Se potessi avere\"\u003c\/strong\u003e\u003cbr\u003eè un affettuoso ed accorato omaggio alla grande canzone leggera italiana degli anni '30 e '40 e, in definitiva, a quell'epoca, pur tanto tormentata e sofferta, ma ancora pregna di positività, sguardo verso il futuro e valori che forse oggi un po' si sono perduti (per non parlare della \"qualità\" delle canzoni leggere italiane di oggi...). Desidero sottolineare che si tratta di un omaggio e non, come negli ultimi anni è spesso capitato di riscontrare in operazioni analoghe, di una caricatura o di una rilettura in chiave più o meno ironica, più o meno contaminata.\u003cbr\u003eFin dalla realizzazione degli arrangiamenti si è optato per una scelta strumentale rigorosamente filologica rispettando l'organico tipico delle compagini orchestrali dell'epoca (vedi ad esempio le orchestre dirette da Cinico Angelini); per proseguire poi con le scelte squisitamente interpretative dei due cantanti solisti (Luca Merlini e Giuliana Beberi), che hanno dedicato lunghi mesi allo studio dei grandi protagonisti dell'epoca e del loro stile, non tanto per \"copiarlo\", ma per farlo proprio. E lo straordinario risultato alla fine è lì, evidente: non viene imitato nessuno dei cantanti dell'epoca, ma Luca e Giuliana sembrano provenire direttamente da quegli anni.\u003cbr\u003eUn ulteriore motivo di interesse, testimone dello sforzo d'amore compiuto, è la realizzazione di tre nuovi brani, composti nello stile dell'epoca, dai tre arrangiatori di tutto il progetto, che sono i maestri Stefano Caniato, Fabrizio Castania e Patrik Trentini (quest'ultimo anche direttore dell'orchestra, sul podio).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e96kHz \/ 24bit \/ 24 tracks original recording made at Magister Recording Area, preganziol (Italy), April, 8,9, 2004\u003cbr\u003eReal time analog remix and remastering made at VLS Studio, Naquera (Espana), March 23, 2024 \/ Workflow:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eREMIX:\u003c\/strong\u003e\u003cbr\u003e96\/24 DAW player: \u003cstrong\u003eMAGIX SEQUOIA\u003c\/strong\u003e\u003cbr\u003e96kHz \/ 24bit \/ 24 tracks DA: \u003cstrong\u003eLYNX AURORA \"n\"\u003c\/strong\u003e\u003cbr\u003eanalog mix: \u003cstrong\u003eRUPERT NEVE DESIGN 5059 + NEVE 8816\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eREMASTERING:\u003c\/strong\u003e\u003cbr\u003ecompressor: \u003cstrong\u003eMASELEC MLA-2\u003c\/strong\u003e\u003cbr\u003eeq: \u003cstrong\u003eMASELEC MEA-2\u003c\/strong\u003e\u003cbr\u003elimiter: \u003cstrong\u003eMASELEC MPL-2\u003c\/strong\u003e\u003cbr\u003eRTR: \u003cstrong\u003eSTUDER A810 \u003c\/strong\u003e---\u0026gt; \u003cstrong\u003eanalog master\u003c\/strong\u003e\u003cbr\u003e88.2kHz \/ 24bit AD: \u003cstrong\u003ePRISM SOUND AD2 DREAM\u003c\/strong\u003e ---\u0026gt; \u003cstrong\u003eHD digital master\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStefano Caniato plays BORGATO L 282 Concert Grandpiano, tuned by Luigi Borgato\u003c\/strong\u003e\u003cbr\u003eProduction: \u003cstrong\u003eMarco Lincetto\u003c\/strong\u003e (Velut 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Muscio, Steve Hackett, John Hackett (Vinyl)","description":"\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003ePROJECT TWO - A GENESIS RHAPSODY\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan style=\"font-family: 'Arial Narrow', sans-serif;\" face=\"Arial Narrow, sans-serif\"\u003e\u003cspan style=\"font-size: large;\" size=\"4\"\u003e\u003cb\u003e\u003cspan\u003eMarco Lo Muscio,\u003ci\u003e \u003c\/i\u003eSteve Hackett, John Hackett\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp lang=\"en-US\" class=\"western\"\u003e\u003cspan\u003e\u003cb\u003eSupporti disponibili: \u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli lang=\"en-US\" class=\"western\"\u003e\n\u003cspan\u003e\u003cb\u003eCVLD387C - \u003c\/b\u003e\u003c\/span\u003e\u003cb\u003eDMM-\u003cspan\u003eONE STEP \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003eVINYL\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003cb\u003eCVLD387A - CLASSIC VINYL \u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003eA SIDE \u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cu\u003e19:55\u003c\/u\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eEntangled\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e4:47\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eS.Hackett, T.Banks\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003ePreludio in G Major BWV1007\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e2:27\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eJ.S.Bach \u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eHorizons\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e3:32\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eS.Hackett\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eMeditations On Horizons\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e4:10\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eM.Lo Muscio\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eAfter The Ordeal\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e4:59\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eS.Hackett, \u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003ewith Steve Hackett, guitar and John Hackett, flute\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003eB SIDE \u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003e\u003cu\u003e21:03\u003c\/u\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eWatcher Of The Skies\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e2:27\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eP.Collins, T.Banks, S.Hackett, M.Rutherford, P.Gabriel\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003ePreludio on Firth Of Fifth\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e1:13\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eM.Lo Muscio\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eFirth Of Fifth\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e4:15\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eP.Collins, T.Banks, S.Hackett, M.Rutherford, P.Gabriel\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eHairless Hearth\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e3:40\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eP.Collins, T.Banks, S.Hackett, M.Rutherford, P.Gabriel\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003ewith Steve Hackett, guitar and John Hackett, flute\u003c\/i\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cu\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eThe Cinema Show\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan lang=\"en-US\"\u003e9:28\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eP.Collins, T.Banks, S.Hackett, M.Rutherford, P.Gabriel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003eDirect Metal Mastering (DMM\u003cspan\u003eONE STEP\u003c\/span\u003e)\u003c\/h1\u003e\n\u003cp align=\"left\"\u003eIl \u003cb\u003eDirect Metal Mastering\u003c\/b\u003e (DMM\u003cspan\u003e-ONE STEP\u003c\/span\u003e) è una tecnica di masterizzazione audio analogica dei dischi in vinile sviluppata da due aziende tedesche: la Telefunken-Decca (Teldec) e la Georg Neumann GmbH, verso la fine del XX secolo.\u003cbr\u003eA differenza dei tradizionali processi di masterizzazione dei dischi, in cui il suono viene inciso meccanicamente su un disco di acetato, utilizzando tipicamente 5 passaggi di pre mastering (lacca vinilica \u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003c\/span\u003e Padre\/negativo \u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003c\/span\u003e Madre\/positivo \u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003c\/span\u003e Stamper galvanico\/negativo \u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003c\/span\u003e vinile finale), con il processo DMM l'audio viene inciso direttamente nel metallo (rame) utilizzando un sistema portante ad alta frequenza e delle particolari puntine in diamante, vibranti a più di 40kHz, per facilitare l'incisione (Padre\/positivo \u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003c\/span\u003e Stamper galvanico\/negativo \u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003c\/span\u003e Vinile finale) \u003cbr\u003eCiò consente un miglioramento della precisione nei solchi prodotti, con un conseguente miglioramento della resa sonora (in particolare con una riduzione del rumore di fondo e maggiore risposta alle alte frequenze).\u003c\/p\u003e\n\u003cp align=\"left\"\u003e\u003cb\u003eLe differenze tra PET e PVC. \u003c\/b\u003e\u003c\/p\u003e\n\u003cp align=\"left\"\u003eIl PET, o polietilene tereftalato, sta sempre più sostituendo il PVC, o cloruro di polivinile, anche negli usi comuni delle plastiche nella vita quotidiana, per una serie di vantaggi, fra cui la possibilità di riciclo perfetto e integrale al 100%, utile soprattutto negli utilizzi come materiale di imballaggio. \u003cbr\u003eMa Vediamo le principali differenze e considerazioni di queste due materie plastiche:\u003c\/p\u003e\n\u003cp align=\"left\"\u003eIl PET è più costoso del PVC ma risulta decisamente più interessante nell’uso audio, considerando le sue qualità:\u003c\/p\u003e\n\u003cp align=\"left\"\u003e- Il PET è resistente alla abrasione e alla elettricità statica\u003c\/p\u003e\n\u003cp align=\"left\"\u003e- Il PET è resistente alla temperatura e quindi molto meno sensibile a problemi di deformazione, e quindi è anche più stabile nel tempo\u003c\/p\u003e\n\u003cp align=\"left\"\u003e- Il PET è molto meno tossico del normale PVC\u003c\/p\u003e\n\u003cp align=\"left\"\u003e \u003cb\u003eVantaggi effettivi dell’utilizzo del PET nella stampa dei vinili audio\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli align=\"left\"\u003eCentraggio perfetto (eccentricità) verticale e orizzontale, garantisce wow \u0026amp; flutter significativamente ridotti durante la riproduzione.\u003c\/li\u003e\n\u003cli align=\"left\"\u003eLa superficie scanalata risulta ultra liscia, da cui un rumore di fondo molto basso, che garantisce maggiore dinamica effettiva, con risposta ai transienti molto migliore.\u003c\/li\u003e\n\u003cli align=\"left\"\u003eCome abbiamo visto il PET garantisce minore deformazione della scanalatura durante il contatto con lo stilo, da che ne deriva maggiore durata nel tempo, e maggiore estensione e stabilità delle alte frequenze.\u003c\/li\u003e\n\u003cli align=\"left\"\u003eL’insensibilità alla elettricità statica, fa sì che sia molto meno sensibile all’accumulo di polvere ed a estemporanei rumori impulsivi (tic-toc)\u003c\/li\u003e\n\u003cli align=\"left\"\u003eLo stampaggio a iniezione, poi, è molto più preciso e quindi provoca una minore distorsione delle scanalature, da cui un’immagine stereofonica più stabile, ampia e profonda migliorate e profondità spaziale.\u003c\/li\u003e\n\u003cli align=\"left\"\u003eSempre in virtù delle caratteristiche del PET e nel nostro caso dello stampaggio a iniezione, consente un utilizzo di due passaggi di mastering in meno (One Step), garantendo così una stabilità e uniformità di resa dalla prima all’ultima copia stampata: iniezione su \u003cb\u003ePadre (positivo) \u003c\/b\u003e\u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e Stamper (negativo) \u003c\/b\u003e\u003cspan style=\"font-family: Wingdings, serif;\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e Vinile finale\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003eAll arrangements by Marco Lo Muscio, except for THE CINEMA SHOW, by David Myers, Eric Johnsen and Marco Lo Muscio\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eMarco Lo Muscio\u003c\/strong\u003e, \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003egrandpiano\u003c\/i\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003e\u003cstrong\u003eJohn Hackett\u003c\/strong\u003e, \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003eflute\u003c\/i\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e and \u003cstrong\u003eSteve Hackett\u003c\/strong\u003e, \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003ci\u003eacoustic and electric guitar\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e88.2kHz\/24bit original live-in-studio recording made at Magister Recording Area, Preganziol (Italy), \u003cbr\u003eon December 2024. Analog mix and mastering made at VLS Studio, Naquera (Spain), on January 2025\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eProduction: \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eMARCO LINCETTO for VELUT LUNA\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eMusical producer: \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eMarco Lo Muscio and Marco Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eRecording, mix and mastering engineer: \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eMarco Lincetto\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eDesign and layout: \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eL’Image\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cbr\u003eInside photos: \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eMarco lo Muscio\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003e\"Project Two\"\u003c\/b\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e: il seguito ideale a “Project One”. \u003c\/span\u003eNel primo album avevamo quasi un concerto live registratato in chiesa e dedicato alla musica contemporanea e Prog in generale. In “Project Two” abbiamo invece un vero e proprio \u003ci\u003econcept\u003c\/i\u003e dedicato al mondo dei Genesis: “A Genesis Rhapsody”.\u003c\/p\u003e\n\u003cp\u003eIl progetto discografico \u003ci\u003eVelut Luna \u003c\/i\u003equesta volta è stato realizzato totalmente in studio e si avvale dello splendido Steynway \u0026amp; Sons D274 Concert Grand residente nello studio Magister Recording Area di Preganziol. In due brani John e Steve Hackett tornano a collaborare da protagonisti con il M° Lo Muscio.\u003c\/p\u003e\n\u003cp\u003eIl focus del disco consiste nella reinterpretazione in stile classico ed interamente acustico del mondo dei Genesis.\u003c\/p\u003e\n\u003cp\u003eIl disco si apre con \u003ci\u003eEntangled\u003c\/i\u003e una gemma dei Genesis post Gabriel e poi si prosegue con tre brani legati fra di loro da un sottile filo: il Preludio dalla Suite per violoncello di Bach (arrangiato per piano dal M° Lo Muscio) che sarà la base di Horizons; a seguire le \u003ci\u003eMeditations on Horizons\u003c\/i\u003e una composizione di Lo Muscio stesso che si basa su Horizons inserita però nel ritmo dell'Habanera spagnola molto amata da Hackett (Bay o Kings ad esempio) e finalmente la versione pianistica di Horizons. La prima parte si conclude con \u003ci\u003eAfter the Ordeal\u003c\/i\u003e in trio con i fratelli Hackett!\u003c\/p\u003e\n\u003cp\u003eIl lato B si apre con l'introduzione e la coda di \u003ci\u003eWatcher of the Skyes; \u003c\/i\u003esi prosegue con un Preludio fugato di Lo Muscio basato sulla parte melodica di \u003ci\u003eFirth of Fifth\u003c\/i\u003e che fa da introduzione vera e propria al capolavoro classico dei Genesis. Si prosegue con la versione in trio con i fratelli Hackett di \u003ci\u003eHairless Heart\u003c\/i\u003e per finire in maniera grandiosa con quel capolavoro sontuoso e raffinato di \u003ci\u003eCinema Show\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eInfine la grande qualità delle registrazioni \u003ci\u003eVelut Luna \u003c\/i\u003eoffriranno un'incredibile tavolozza sonora nell'ascolto di tutte le sfumature del grande pianoforte Steinway, ripreso con una nuovissima tecnica microfonica elaborata da Marco Lincetto che garantisce un suono del pianoforte realmente “sinfonico”: pieno, dettagliato, imperiale!\u003c\/p\u003e\n\u003cp lang=\"en-US\"\u003e---\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003e\"Project Two\": the ideal follow-up to \"Project One\". In the first album we had almost a live concert recorded in church and dedicated to contemporary music and Prog in general. In this \"Project Two\" we have a real concept dedicated to the world of Genesis: \"A Genesis Rhapsody\".\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003eThe Velut Luna recording project this time has been realized entirely in the studio and makes use of the splendid Steynway \u0026amp; Sons D274 Concert Grand resident in the Magister Recording Area of Preganziol. In two tracks \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eJohn and Steve Hackett\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003e return to collaborate as protagonists with \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003e\u003cb\u003eM° Lo Muscio\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003e. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003eThe focus of the album is on the classical and entirely acoustic reinterpretation of the world of Genesis. \u003cbr\u003eThe disc opens with Entangled a gem of Genesis post Gabriel and then continues with three pieces linked together by a thin thread: the Prelude from Bach’s Cello Suite (arranged for piano by M° Lo Muscio) that will be the basis of Horizons; to follow the Meditations on Horizons a composition by Lo Muscio itself that is based on Horizons but inserted in the rhythm of the Spanish Habanera much loved by Hackett (Bay or Kings for example) and finally the piano version of Horizons. The first part ends with After the Ordeal in trio with the Hackett brothers! \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003eThe B-side opens with the introduction and the tail of Watcher of the Skyes; it continues with a fuged Prelude by Lo Muscio based on the melodic part of Firth of Fifth that is the real introduction to the classic masterpiece of Genesis. We continue with the trio version with the Hackett brothers of Hairless Heart to finish in a grand way with that sumptuous and refined masterpiece of Cinema Show.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #0070c0;\"\u003e\u003cspan lang=\"en-US\"\u003eFinally, the great quality of the Velut Luna recordings will offer an incredible sound palette in listening to all the nuances of the grand piano Steinway, recorded with a brand new microphone technique elaborated by Marco Lincetto that guarantees a real piano \"symphonic sound\": full, detailed, imperial!\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Velut Luna","offers":[{"title":"LP 33 DMM (crystal)","offer_id":52899350937867,"sku":"CVLD387C","price":59.0,"currency_code":"EUR","in_stock":true},{"title":"LP 33 rpm (black)","offer_id":52899392061707,"sku":"CVLD387A","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0647\/4294\/9131\/files\/CVLD387-COVERPETDMM.jpg?v=1771022814"}],"url":"https:\/\/www.jellyblackcircle.com\/ja\/collections\/vinili.oembed","provider":"JELLY BLACK CIRCLE","version":"1.0","type":"link"}